I do not know how I wake up. I almost never do know. What is the precise noise, smell, temperature change that prods a body into consciousness? Something at 8:30 AM – a stray sliver of light from the blinds, a soft shuffle of feet, or the neighbors’ Russian talk show wafting through the walls- prodded my body into consciousness. Often times, I am conscious at 11AM, and by 1AM I have mustered up the willpower to bid farewell to my warm cocoon of an abode.
Pushing my back away from the mattress, I teetered on my twiggy arms: panic. What the hell am I going to do with myself today? Mechanically I walked to my desk, pulled out a square of yellow paper. I guess what the hell I was going to do was make an origami moth.
Moth completed, I fluttered to the mirror. I was pleasantly surprised. Feel good, look good. Right? Well apparently it doesn’t quite work the other way around- feel bad, look bad- because, I still looked good.
Idleness is so tedious.
Naturally, I feel the urge to turn to art for a sense of comfort, of guidance. Not visual art this time.
My newfound music craze sprouted from my binge watching “New Girl.” I reached the closing scene of an episode that features Jess and Nick driving away into the moonlight to the song “I Always Knew” by the Vaccines.
That was all it took. Before I knew it, I listened to all of the Vaccines’s albums on the Spotify premium account that my best friend lets me mooch from him (thanks Jack). The Vaccines can help cure me (heh. Witty, I know). But in all seriousness, I have found my band. Or, I guess that it kind of found me.
Considering that I haven’t had a favorite band since the Jonas Brothers, this is a pretty thrilling discovery. Actively listening to music is just not something I normally did before. Sure I had a melange of songs, but they ranged from German rap to Italian opera. Obviously, there was no consistency or coherent music genre. Yeah, that did made it pretty awkward when someone tried to get the conversation going.
Them: So, what’s your favorite musician/band/song/genre?
Me: Shifts nervously on feet. Dramatically sucks in my breath, you know, like how people do when they are about to deliver bad news. Aha.. well, I don’t really listen to music.
Them: Sharp gasp. Wait, what?
Me: Heat crawls to ear tips. Yeah..uh haha.. I mean I just don’t actively listen to music but it’s not like I hate it or anything. I mean I still listen to what’s on the radio and stuff.
Them: Pulls a closeby friend into the conversation. Hey dude, get this. She said she doesn’t listen to music.
Dude: Makes large bug eyes and snickers. What? Are you serious!
In all honesty, I did not understand why music was central to a lot of my friends’ lives. “It speaks to me” pffft, stoner blabber. Headphones equated to antisocial. Hardcore fans were sort of weirdos. I used to scoff at my younger sister’s trash indie music because all the songs sound the same. Now, that isn’t outrageously untrue, but once I researched lyrics and did nothing but listen to the music- and I mean really do nothing, just sit and breathe and listen- it made sense. Listening to music from the same genre is a special experience. The songs tend to produce similar chords and vocals, which in turn elicit similar and nuanced emotions from within myself.
Discovering music is not only the external experience of finding combinations of notes, words, and instruments that appeal to your personal tastes, but, on a deeper level, a force that encourages introspection, curious questioning, and self discovery. Why do I like this sound? What makes me feel emotional about these words? How does this relate to my life, right now?
As I continue to delve into this musical awakening and explore The Vaccines among similar artists, I’m comfortably settling into a consistent taste. Who in the heck would have guessed that my favorite genre is indie rock? Not me. And, more specifically, english indie rock.
Although I am in a deep honeymoon phase of marveling over the newfound genre, I appreciate other artists completely foreign to me.
Coffee and Cigarettes (2013), a film by Jim Jarmusch, introduced me to Iggy. No, not Azalea. Composed of a series of short skits, the film features individuals sharing a moment, a conversation over, well, coffee and cigarettes! During one of these skits, Iggy Pop and Tom Waits meet up in a musty looking diner. Iggy Pop has most melancholy and sincere gaze I have ever witnessed, and his face is really comforting to me for a particular reason that I am unable to pinpoint. Awkward and uncomfortable, the exchange caused me second hand embarrassment just from watching the two men interact. But I loved it, in a way, the raw flow of events.
Iggy Pop is captivating, so I explored his music which caused me initial disappointment. This voice lacks the soft and sympathetic tone from the movie. I searched through the Post Pop Depression album and nearly got depression myself (alright, not a very original play on words, I’ll admit). Ready to give up, I absent mindedly clicked on the last song left- “Chocolate Drops.” Eureka! Soft voice! The lyrics! It is perfect.
Thanks to Chocolate Drops, with revived energy I scrolled and clicked on the album Après. Instantly I was hooked. Iggy Pop sings retakes of songs in French- La Vie en Rose, La Javanaise- with his endearingly unapologetic American accent.
It only felt it fair to give Tom Waits a chance, too, although he did not intrigue me as much. His distinctive raspy voice and daring themes failed to reach me. Only one tugged at my heart strings: “If I Have To Go.” Here, there is no raspy voice, no theatrics.
Then I rediscovered Mac Demarco. I mistook that gap toothed smile and head of scraggly golden locks as an indication of his music having abstract lyrics infused with many references that would fly over my head. But you can’t judge an album by its cover. He sings clearly, and enunciates his words, words that make sense- Let Her Go, Let My Baby Stay, No Other Heart, Without Me.
There are sprinkles of other small treasures I unearthed. “Toothpaste Kisses” by the Maccabees, “Feels Like We Only Go Backwards” by Tame Impala, “Lead Existence” by King Krule, “Warned You” by Good Morning, “A Lack of Understanding” by the Vaccines, “Parking Lots” by Plums, “Looking out for You” by Joy Again, “Processional” by Weedeaters, “Ivy” by Frank Ocean, “If You Wanna” by The Vaccines, “Hold Up” by Beyoncé.
High top black converse paired with rolled up jeans and a leather jacket, I ride the bus feeling like a badass. King Krule’s “Baby Blue” crackles at my eardrums. I’ve really been missing out.
Frank Ocean Blonde
Maccabees Colour It In
King Krule 6 Feet Beneath the Moon
Infinity remains to learn about this music world. I want to behave like a sponge to soak it all in; but a productive sponge who labors at building up a steady knowledge of music. Like Spongebob-Squarepants-at-The-Krusty-Krab productive.
From discovering english indie rock to my desire of becoming Spongebob, it is obvious that listening to music is taking me on a journey that I am, for once, perfectly content with having zero control over.
Shower me with any recommendations that come to mind, I would be thrilled to give them a listen.
Header image: Mac Demarco